It has been a long while since the public caught a glimpse of Daniel Day-Lewis. After he statement in 2017 that he would cease to pursue acting, prior to the release of The Phantom Thread, Day-Lewis quietly faded from view. However, during his hiatus, his reputation expanded further.
Primarily, this reputation revolves around his favored approach to roles. Being an actor known for disappears into his characters – for example, during Lincoln, reportedly asked the director address him as “Mr. President” throughout the shoot – audiences has become more fascinated with how he works. Is it true he actually sent messages to co-star Sally Field in character as Lincoln? Did he only eat animals he’d killed for The Last of the Mohicans? Did he insist on being spoon-fed while filming My Left Foot?
Extreme acting methods: has the public fallen out of love with over-the-top performances?
Currently, Day-Lewis is back to public attention, with some hesitation, promoting his latest movie Anemone. He is taking this chance to vocalise his anger regarding how method acting is perceived. “I’m a little cross these days when I hear various individuals gobbling off and saying things like ‘gone full method’, which seems is meant to imply that someone is acting insane in an extreme fashion,” he stated to the New York Times. “People often concentrate on superficial aspects of acting, and these elements typically include some form of self-flagellation or an experience that imposes upon oneself a severe discomfort or mental instability. But of course, in the life of an actor, it has to mainly focus on the inner transformation.”
Frankly, it appears like the actor has come out from his retreat and found himself aghast at the acting community that has been created mirroring his methods. If you’re regarded as among the best performers to ever work, and your process includes headbutting a dummy to the point of injury (for Gangs of New York) or enduring 48 hours in solitary confinement deprived of sustenance (for In the Name of the Father), then it stands to reason that fellow performers will attempt to emulate that example by trying to mimic their idol.
In other words, we now live in a landscape full of imperfect Day-Lewis impersonators who want nothing more than to demonstrate the extensive degree of effort they put into a character. On the milder side of this trend we have people like Lady Gaga, who was determined to win an Oscar with House of Gucci that she dedicated the whole campaign trying to convince everyone that she became functionally Italian for a year and a half in preparation.
Additionally, there is Jared Leto, who chose to immerse himself into the role of the Joker (for Suicide Squad) by sending “horrifying” presents to fellow cast members. These items, according to various accounts, included deceased animals to intimate objects and used condoms, though the actor refuted the most extreme claims. Then, naturally, there is Jim Carrey, who immersed himself so fully as Andy Kaufman during Man on the Moon that filmmakers literally managed in creating a full-length documentary out of B-roll of him causing difficulties to the utmost for everyone around him.
The foremost practitioner of the Method currently seems to be Jeremy Strong (formerly an assistant to Day-Lewis), whose process while filming Succession was so rigorously detailed that it became the subject of a critical New Yorker profile, full of quotes from individuals who were worried about his conduct (“It’s the cost to himself that worries me,” said Brian Cox) or annoyed beyond all measure by his actions (“I recall [him] making everyone else to react with exasperation,” stated an anonymous cast member).
Daniel Day-Lewis claims he ‘never intended to stop acting, really’
There are numerous additional cases. Andrew Garfield went celibate over half a year while preparing for Silence. Leonardo DiCaprio slept in an animal carcass for The Revenant. There’s a fighting chance that actor Austin Butler still speaks like Elvis Presley, three years after that film came out. All of this, to some extent, aims to evoke the dedication with which Day-Lewis approaches his craft.
And, although his rebuttal against method detractors might be noble, a short publicity tour might not be enough to alter perceptions, not to mention their behaviour. Perhaps if he wishes to remind people the true essence of the Method, or to demonstrate its potential results, then the optimal strategy for Day-Lewis is to simply begin producing additional movies. Surely we could all get behind that.
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